论文代写：卓别林的无声电影
对于这篇文章，最困难的部分是电影的选择，所以可以开发电影的描述。对于这篇文章卓别林查利的作品已经确定了特别是在电影城市灯光的工作。他不仅是一个开发了无声电影的想法的人，可以是“有趣”，但也有一些最受欢迎的和鼓舞人心的作品的所有时代。卡明（2008）说一个真实的人物都有独特的个性，使他不同于其他的特点，所以最好是有一个有趣的人。这个角色是穿着一双舒适的旧鞋给人一个春天的样子。观众将享受幽默的性格和特殊效果的电影甚至更多，如果性格描绘他是有趣的方式，观众从来没有见过。在屏幕中，创作者的表达必须立即给予观众，因为没有回头看电影。它不是像读一本书，我们可以重读最后一页了。每一个导演都想吸引观众的注意力10分钟。在整个文章中，主要部分将围绕卓别林的作品，以及他如何影响了观众。弗洛姆（1997）评论说，从无声电影到有声电影的过渡将是本文探讨。卓别林描述了他早期的电影生涯说，“行动和效果是必要的但是这部电影应该有一个切入点，让观众感受到故事的情况。”（他，1977）。实现这一的最好的方法是通过一个字符，观众是熟悉的或观众喜欢看频繁。这个角色可能是英雄或恶棍，只要他有这样的特点，人们交往和理解，以及同意在故事中的问题。
论文代写：卓别林的无声电影
For this essay the most difficult part was the selection of the movie so depiction of the movie can be developed. For this essay Charlie Chaplin’s work has been identified specifically the work in the film City lights. He was not only a person who developed the ideas of silent films can be “interesting” but also has presented with some of the most popular and inspiring works of all times. Kamin (2008) commented that a real character has a unique personality that makes him different from other characters so it is better to have an interesting one. The character is wearing a comfortable pair of old shoes giving a spring look. The audience would enjoy the humorous character and the special effects with in the movie even more, if the character portrays him to be funny in a way that the audience has never seen before. In the screen, the expression of the creator has to be given to the audience immediately, because there is no turning back in movie. It is not like reading a book where we can reread the last page again. Every filmmaker just wants to grab the attention of its audience for 10 minutes. Throughout the essay the main parts will revolve around the works of Chaplin and how has he influenced the audience. Flom (1997) commented that the transition from silent films to sound films will be discussed in the essay. Chaplin describes his early film career by saying that, “Actions and effects are necessary however the movie should have a point cut that makes the audience feel the situation of the story.” (Flom, 1977). The best way to achieve this is through one character whom the audience is familiar with or whom the audience likes to watch frequently. This character could be heroic or of a villain, as long as he owns such characteristics of what people associate with and understand as well as agree the problem coming across in the story.