案例研究代写：电影《海火》的分析。《海火》这部电影最初是一部意大利电影。这部电影的导演是詹弗兰科·罗西。这部电影的编剧是詹弗兰科·罗西和卡拉·卡塔尼。故事围绕着移民在社会中所感受到的问题进行了详细的叙述。这个故事的叙述主题围绕着兰佩杜萨展开。在接下来的内容中，案例研究代写专家将为同学们分析下电影《海火》。
《海火》这部电影最初是一部意大利电影。这部电影的导演是詹弗兰科·罗西。这部电影的编剧是詹弗兰科·罗西和卡拉·卡塔尼。故事围绕着移民在社会中所感受到的问题进行了详细的叙述。这个故事的叙述主题围绕着兰佩杜萨展开。这里距离意大利南部海岸200公里。最近，这一领域的政治意义越来越大。这是非洲和中东移民工人试图进入欧洲的停靠港。导演罗西在这个地中海岛屿住了好几个月，以了解这种情况的细微差别和政治意义。故事的主题围绕着12岁的塞缪尔展开。他是一个热爱用弹弓打猎的当地男孩。他花时间在陆地上，尽管他的文化都是关于生活在海里的。故事的另一个主角是在移民抵达时为他们治疗的医生。这部电影探讨了移民到欧洲的敏感话题。小说的叙事主题探讨了仇外心理、接纳、移情和来自移民的威胁等主题。这部电影有着导演与生俱来的意识形态，展现了导演希望观众在社会中意识到的东西。
在过去的几十年里，地中海已经成为流离失所者的逃离路线。它也是现代的墓地。在影片中，导演试图揭露欧洲国家的冷漠，并呼吁欧洲公民的同情。在关于移民津贴的政治意识形态中，可以看到一场广泛的辩论。一方面希望人们允许更多的移民，另一方面人们担心这会影响他们的生活质量(Zhang, 2017)。影片的主题更为细致。它要求或恳求观众理解这是高于政治话语或意识形态。它展现了真实的恐惧和痛苦。镜头随着移民社区的成员一起移动。此外，他们正遭受饥饿、安全问题和疾病的折磨。有些人承受了极度的身体痛苦。它的目的是向人们提供真实的事件。这部电影不是政治意识形态。相反，它是一部关于发生在意大利海岸的真实事件的纪录片。
The Movie “Fire at Sea” was originally an Italian movie. The director of the movie was Gianfranco Rosi. The writers of the movie were Gianfranco Rosi and Carla Cattani. The story revolves around the narrative theme of the issues felt by the Migrants in the societies are detailed. The narrative themes of the story orbit around Lampedusa. This is 200 km from Italy’s southern coast. This area has been gaining political significance in the recent times. This is a port of call where migrant workers of African and Middle Eastern origin are trying to enter Europe. The director Rosi had spent months living in the Mediterranean island to comprehend the nuances and the political significance of the situation. The narrative theme revolves around the 12-year-old Samuele. He is a local boy who has a passion for hunting with a slingshot. He spends time on the land, even though his culture is all about living in the sea. The other protagonist in the story is the doctor who treats the migrants when they arrive. The film explores about the sensitive topic of migration into Europe. Themes of xenophobia, acceptance, empathy and threat from the migrants are all explored in the narrative themes. This movie has the innate ideology of the director and showcases what the director wants his audience to become aware of in the society.
In the past few decades, the Mediterranean Sea has become an escape route for the displaced people. It is also the modern-day graveyard. The migrants’ plight and images have been showcased where the director tries to create an expose of the indifference of the European nations and calls for the compassion of European citizens. An extended debate is seen in the political ideology about the allowance of migrants. While one side of the spectrum wants the people to allow more migrants, another side where the people are worried about it impacting their quality of life (Zhang, 2017). The film’s subject is more detailed. It asks or rather pleads with the viewer to comprehend that this is above the political discourse or ideology. It shows the real glimpses of horror and pain. The camera travels with the members of the migrant community. Moreover, they are suffering from hunger, safety issues and illness. Some of the people have endured extreme physical distress. It is aimed at providing the people with real events. This movie is not a political ideology. Rather it is a documentary about real events that are occurring in the Italian coasts.
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