本文讲的是MAX的权威领导风格对艺术的影响，研究发现，Max的权威领导风格是影响艺术家满意度和参与度的部分原因。从研究中可以看出，艺术组织中的艺术家被看作是在演奏乐器。艺术家作为艺术产生的主要来源，在艺术组织中没有任何权力，不允许与组织的领导或管理建立直接的联系(Radbourne, 2003)。Max对作品策展的责任使他在选择艺术家和他们的作品进行展览时具有批判性。本篇澳洲靠谱代写文章由澳洲论文人EducationRen教育网整理，供大家参考阅读。
The research revealed that the authoritative leadership style of Max is part of the problem with the satisfaction and engagement levels of artists. It is revealed from the research that the artists across the arts organizations are viewed as performing an instrumental position. The artists as the primary source of art generation are not given any power within the arts organization that does not allow for the direct nature of connection to be established with the organizational leadership or management (Radbourne, 2003). The accountability of Max for the curatorial of the works makes him critical within the selection of the artists and their work for exhibition.
Hence, there are several works and artists that are not selected at times that results in the interpersonal conflicts and reduced levels of motivation. The lack of connection with the leadership makes the artists feel like an outsider within the firm because of the poor management as compared to curatorial undertaken by the art leaders such as Max.
The research further surfaced that since the artists are generally less interested in the details of management and price evaluation, more control and regulation is enforced by the leadership of the Artistic Director because of the nature of the position (Rentschler, 2014). As Max at ACCA holds the position of Artistic Director and CEO, his involvement and level of influence in decision making related to the day to day operations are of high extent as compared to the other members and Executive Director.
It is realized that the Artistic Director of ACCA has promoted the sharing of cultural innovation across the organization. The responsibility and leadership of ACCA is constrained by the hierarchy. Hence, the artists are merely given the freedom to develop their art works and artistic creations based on the integration of culture and innovation (Rhine, 2015). The artists are still not given with either autonomy on art form that can be selected or the leadership authority to direct the artistic creations. This makes several conflicts to take place across ACCA that partly emerge from the autocratic leadership of Max related to the concerns of art form and integration of culture within the visual art.
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