代写assignment：关注建筑学
恢复的目的是确保将来的食物供应。它有助于维护原始结构。它本质上超越了美学和历史意义，走向未来。应该努力保证最初的设计，用于这些原始修复的材料应该确保在建筑建筑中体现的主要价值得到保留。Brandi强调，在泄露模式的同时，要尽量减少干扰。布兰迪理论主要关注建筑的原始美学价值和遗产的维护。对布兰迪理论的批评是，人们只重视过去的审美。Brandi没有给予现代建筑的当代趋势任何重视。他认为建筑本质上是一件艺术品。他没有考虑到现代艺术的细微差别。约翰·拉斯金是维奥莱特·勒杜克提出的意识形态的热心批评家。Viollet-le-Duc在遗产建筑的修复过程中融入了自己的主题和思想。Viollet-le-Duc引用的理由是，将现有的意识形态融入到捆绑销售中。在《七盏建筑之灯》一书中，他对哥特式复兴和历史建筑之美进行了广泛的论述。他本质上说，建筑之美不在于装饰或土地的价值，而在于年龄之美。
拉斯金认为，建筑的原始美会在复兴的过程中丧失。在对这一理论的扩展中，威廉·莫里斯也提出了对这一思想的扩展。它是以恢复原有价值的名义提出的，将失去过去固有的文化。这导致建筑的原始价值在这个过程中丢失。每一次修复都会使建筑物的价值缩水。对莫里斯和布兰迪理论的批判是，在这一过程中没有现代性或创新。在建筑设计中只添加过去的元素，存在着不表达当代现代性理念的问题。这可以创造一个空间，没有太多的媒介来呈现当前的现代建筑。在任何恢复的情况下，过去和现在之间应该和解。并不是说要完全抛弃旧的美学，而是现代性应该包含在功能性之中，并代表当前人们的建筑潮流。乔瓦尼的《稀释理论》指出，最好将旧的主题与新材料结合起来。这将确保延续过去的思想，并将其扩展到后代。理论的细微之处和错综复杂的细节，消防安全的重要性和维护建筑完整性在下面进行了详细的探讨。
代写assignment：关注建筑学
Purpose of restoration is to ensure sustenance in the future. It helps in maintaining the original structure. It essentially transcends the aesthetics and historical significance into the future. Efforts should be taken to warrant that the original design, material used for these primal restorations should ensure that primary values that are manifested in the building architecture are preserved. Brandi stressed for minimal intrusion while divulging a schema. Brandi Theory focuses primarily on maintenance of the original aesthetical values and heritage of a building. The criticism for Brandi theory was that there was importance given only to the aesthetic of the past. Contemporary trends in modern architecture were not given any importance by Brandi. He essentially considered architecture to be a work of art. He did not factor in the nuances of modern art. John Ruskin was an ardent critic of the ideologies proposed by Viollet-le-Duc. Viollet-le-Duc incorporated his own themes and ideologies in the restorative process of heritage buildings. Reason cited by Viollet-le-Duc was by incorporating ideas that the present ideologies would be reflected in the bundling. In this book Seven Lamps of Architecture, he speaks extensively about the Gothic revival and the beauty of the historic architecture. He essentially states that the beauty of building is not in the ornamentation or value of the land rather it is in the beauty of age.
Ruskin stated that the original beauty of architecture would be lost in the process of revival. In extension to this theory William Morris also proposed an extension of this ideology. It was proposed in the name of restoration the original value and the intrinsic culture of the past will be lost. This leads to the original value of the building being lost in the process. Each restoration causes the value of the building to be subtracted. Criticism to the theories of Morris and Brandi is that no modernity or innovation will develop in this process. By adding only elements of the past there is a problem of not expressing the current modernity notions into the building design. This could create a void and have not many mediums to present the current modern architecture. In any event of restoration there should be reconciliation between the past and the present. It is not suggested to completely abandon the older aesthetics but modernity should be encompassed for functionality and to represent the current architectural trends of the people. Thinning out theory by Giovanni suggests that it is best to incorporate older themes with newer materials. This would ensure sustenance and extends the ideology of the past to the future generations. Nuances and intricate details of the theory, importance of fire safety and maintaining architectural integrity have been probed in detail in the following.