代写论文：对玻璃性能的分析。根据鲍德里亚（J. Baudrillard）在其早期出版物中对玻璃的分析，“物体系统”是“未来的材料”，可以被认为是通过现代的透明性来概括时间和空间的功能。环境。玻璃是要使用的重要且理想的材料，并且具有物理尺寸和含义。它是两种现象之间的容器和透明性的基础：可以看出，透明的特性是营造气氛的首要任务–这是空的空间。此外，玻璃是过渡到意识的次要位置的象征，它是时间的持续时间，并且在物质的测量中同时以零级象征性地排名。因此，水晶的存在是巩固抽象性的象征。也就是说，它打开了通往内在世界的抽象以及未来的抽象的大门（Baudrillard，1997）。通过光线的投射，玻璃保证了内部和外部之间的即时通信。同时，它建立了一个看不见的但物质的观念，以防止这种交流成为与世界的真正接触。
基于玻璃的透明度，我决定在有身体运动的情况下使用Perspex。即，透明性可以有效地捕获连续运动的过程。此外，可以防止视觉效果流失的混凝土表面可以保护从工具施加的痕迹。人体在玻璃上的虚像反射通常用于艺术领域。例如，在1967年，格哈德·里希特（Gerhard Richter）制作了4块玻璃窗格，其中每个窗格在一个轴上独立旋转，并与其他轴平行固定。他的意图是使作品被理解为对杜尚的神秘大玻璃杯透明且具象征意义的反应。但是，里希特（Richter）希望强调丰富的经验。具有现代意义的“ 4杯玻璃”已被提出作为绘画的另一种形式。四个窗口在物理空间中反射出无限数量的图像，但无法实现。
According to what J. Baudrillard analysed about glass in his early publications‹The system of objects›, is ‘the material of the future’, which may be thought of as generalizing the function of time and space through the character of transparency in the modern environment. Glass is both a substantial and ideal material to be used and is achieved with physical size and meanings. It is a container and the basis oftransparency between the two kinds of phenomenon: the transparent character, as can be seen, is the first priority in the creation of atmosphere – this is the empty space. Moreover, glass implies a symbolof transitingto a secondary position of consciousness which is the duration of time, and is ranked symbolically at zero level on the measurement of materials at the same time. Hence, the crystal existence is a symbolism which solidifies abstractness. Namely, itopens the door to the abstractness of the inner world as well as the abstractness of the future (Baudrillard, 1997).Through the projection of light, glass guarantees an instant communication from between inside and outside; meanwhile,it sets up an invisible but material caesura which prevents such communication from becoming a real contact to the world.
Based on the transparency of glass, I decide to applyPerspex in the presence of bodily movement. Namely, the transparency can efficiently capture the process of successive movement. Furthermore, the concrete surface, which canprevent the visual effect from running off, avails the conservation of the marks applied from tools. The reflection of virtual image of body on glass is commonly applied in art realm. For example, in 1967, Gerhard Richter made 4 Panes of Glass, where each pane rotates independently on a single axis and stands fixed in parallel to others. What he intendedis to make the work to be understood as a transparent and, in a figurative sense, obvious response to Duchamp’s mystical Large Glass. However, Richter wanted to emphasize an expanded experience. The 4Panes of Glass, in its modernistic significance, has been presented as an alternative form to painting; the four windows reflect an infinite number of images in physical space but offer no possibility of realizing it.
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