本篇文章講的是電影中的性別概念，然而，只有婦女才戴頭巾，而不是家裡的男人。有趣的是，宗教的身份和性別的身份在這些人物中融合在一起，描繪了新的形式和復雜的人物(Duncan 2015)。這在Razieh和Hojat角色中表現得最為突出(nafice 2003)。儘管“虔誠”將是Hojjat和Razieh的正確標籤，但這仍然忽略了他們實際使用宗教的本質差異。本篇功課代寫文章由澳洲論文人EducationRen教育網整理，供大家參考閱讀。
However it is only the women who are wearing hijab and not the men in the household. What becomes intriguing is that the identity of religion and identity of gender are merged in such characters to depict newer forms and complicated figures (Duncan 2015). This appears as most striking in Razieh and Hojat characters (Naficy 2003). “Devout” although will be the correct label for Hojjat and Razieh, this still results in overlooking the essential discrepancies in how religion is actually used by them.
From this perspective, the notion of gender is highlighted in the best possible sense between the 4 characters and this has been made even more apparent through their religious identity which makes them follow gender based identity (Duncan 2015). In the other film, “About Elly”, the movie depicts the tensions between traditions of Islam which are strict as well as modernism within the affluent middle class of Iran along with their sophistication specifically depicting gender (Duncan 2015). Due to the gender difference between the two characters who have been destined to get married, the relationship turns into an awry one.
As the film starts, upper middle class educated group of individual Iranian drive out of the town of Tehran for Caspian Sea weekend getaway (Hamid & Farhadi 2011). Among them is a new friend, Elly. The character of Elly is such that it depicts the way in which gender and status has shaped the society of Iran in a considerable manner. She does not have the ability of possessing capital socially and also her being a women does not allow her to engage in making jokes of eroticized nature as the rest of the male members in the group. This makes her feel out of place and also makes her feel less comfortable. The film further explores the way in sexual morality in Iran which is governed through strict codes particularly for those members who are outside the class of elite professional groups (Duncan 2015). These codes also exist outside the realm of gender.
It seems that Elly has been exposed towards serious hazards on morality level in the film due to peer pressure. Also, her sense of belongingness makes her feel strongly away from the group (Suner 2006). The constant lies told further highlight why the notion of gender is so important for the people in Iran. The constant lies in the light of gender unequal society brings forward dire consequences for the friends in the end and particularly also for Elly. The film is a perfect blend of how gender plays a big role in Arabic societies.
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