论文代写被抓：电影拍摄手法
威拉德和兰斯下了船去寻找哨所的指挥官。可以听到奇怪的动物叫声和经过处理的哭声，描绘出士兵们越来越疯狂。这些声音往往是在强调和支持场景，而不是转移和混淆听者的注意力，而是强调战争的狂热感，以及上游旅行面临的风险增加。当兰斯和威拉德爬过大桥的战壕时，他们在丛林中遇到一名疯狂的士兵在疯狂地射击。在这个场景中，兰斯设法爬到一些沙袋上，而其他士兵和威拉德设法躲避即将到来的大火。在同一时间点，可以看到红印第安人在屏幕外发声的过程，评论沙漠、皮尤特和红印第安人之间的迷幻联系。在选定的场景中，主要可以看到音乐设置了一种迷幻的、迷幻的基调，这有助于将电影置于20世纪60年代后期的美国历史时代，同时也反映了银幕上所描绘的超现实场景。
选择的第一个场景是开场场景，可以看到在一首大气的歌曲中渐行渐远，“结束”由大门。这首歌与越南的丛林景色合作，使这一场景充满异国情调。在这种诡异的背景下，以威拉德船长为背景，可以看到忧郁的宋在整部电影中不断地翻滚着，呈螺旋式下降(French, 1999)。正如立即看到的，音乐有助于将图像与时间和地点联系起来。同时，伴随着疯狂的节奏，这首歌帮助观众为即将开始的奥德赛做准备。声音和音乐在这个场景中运用得非常出色，作为一个不同寻常的序曲，它不仅介绍了主角威拉德上尉，还介绍了电影中战争和毁灭的关键主题。
论文代写被抓：电影拍摄手法
Willard and Lance step out of the boat for finding the commanding officer at the outpost. Strange animal sounds and processed cries can be heard, depicting the increased insanity possessed by the soldiers. These sounds tend to be emphasizing and supporting the scene, while not diverting and confusing the attention of listener, but accentuating the sense of craze for war, along with the increased risk faced in travelling up-river. As Lance and Willard crawl across the trenches of the Bridge, they meet some crazed soldier wildly firing in the jungle. In this scene, Lance manages to climb onto some bags of sand while other soldiers and Willard manage to take shelter from the fire oncoming. At the same point of time, processes off- screen vocalizations of Red Indian can be seen commenting upon the psychedelic link between the desert, peyote and Red Indians. In the scenes selected, primarily, music can be seen setting a hallucinatory, psychedelic tone that helps in placing the film in the historical era of America during the later years of 1960s, while mirroring the surreal scenes under depiction onscreen.
The first scene selected that is the opening scene can be seen fading within an atmospheric song, “The End” by the Doors. This song has helped in making the scene exotic in collaboration with the view of jungle in Vietnam. Under this eerie, with the backdrop of Captain Willard, moody song can be seen tumbling with a downward spiral continuously in the entire film (French, 1999). As seen immediately, the music helps in linking the image to time and place. Also, with the frenzied rhythms, the song helps in preparing the viewers for the odyssey that is going to start. Sound and music has been used brilliantly in this scene, functioning as the overture unconventionally, as it can be seen not only introducing the main character, Captain Willard, but also the key themes of war and destruction to be followed in the film.