论文代写：多萝西-兰格
兰格相信照片的力量影响个人和发现问题。她说：“凸轮是一种工具，显示个人如何无凸轮看事情。”（薪岛25-27）这是说，她年轻的窘迫，一个同情她的人，体现了一种深思熟虑的气囊反映但是确保他们的感觉，如果没有一分钟。她的镜头出现时间暂停，所以充满感情一些这样或那样的灵魂。
多萝西-兰格的工作是为一路自然摄影作品的冲动问题的决定。我同样认为多萝西-兰格的作品应该是在他们说话的那个时期的大众摄影这样的大样本。她展示了那些工人从未见过主管，也不知道他们的同事的一般质量的那些承诺。在上世纪30年代她的照片“被牵引”成为普通也很有说服力的一个全国性的萧条时期的启示。安排旨在恢复繁荣和避免进一步的抑郁。它保持了一般的团结和基本的援助，并通过了意义，我们应该毫无疑问地处理我们的兄弟姐妹。权当一个额外的保护装置来压倒早在1940年代和1950年代，兰格的摄影变得过时了，浪费钱的额外动力，不骄不躁，和自我参照的工艺。权当社会自由的进程开始几个无数年的元素主义，兰格的摄影又奖励（Meltzer n.pg.）。
论文代写：多萝西-兰格
Lange trusted in the force of the photo to impact individuals and to uncover issues. She has said that: “Cam is a tool that shows individuals how to view things without a cam.” (Shindo 25-27) It is said that her young distress, a feeling of sympathy that embodies her subjects in a kind of thoughtful air pocket that reflects however ensures them, if yet for a minute. Her shots appear suspended in time, so brimming with feeling yet some way or another incorporeal.
Dorothea Lange’s work goes about as an issue decision of impulse for photographic work of a road nature. I likewise imagine that the work of Dorothea Lange ought to be considered in that they speak to such great samples of photography of the general public from that period. She demonstrated the generic quality of those undertakings where labourers never met the supervisor and did not know a considerable lot of their colleagues. At the time of the Depression of the 1930s her photograph “Tractored Out” became ordinary and also pretty much convincing of a nationwide inspiration. The arrangement intended to reinstate thriving and avoid further Depression. It stayed for general solidarity and basic aid, and passed on the significance that we should without a doubt deal with our siblings. Right when an extra preservationist arrangement came to overpower in the early 1940s and 1950s, Lange’s photography turned to be out-of-date, wasting money to extra dynamic, mindful, and self-referential craftsmanship. Right when the social freedoms advancement started a couple of numerous years of element activism, Lange’s photography was again rewarded (Meltzer n.pg.).