申请文书：曲目列表准备
每个人的音乐生涯,他们是典型的合适的曲目准备他们的未来。曲目函数作为个人和技能矩阵或组织观看剧目的人能够立刻判断乐曲和技能的音乐家。许多形式的体验是建立在过去从注释的书目曲目列表适合单个玩(科特雷尔,2012)。现在曲目列表本身是一个重要的任务准备一个萨克斯的球员。这个文献综述了理解体验的形式,已建成并显示在现有研究和曲目列表,可以作为参考来构建自己的曲目列表。音乐的形式选择、成分和更多的将是非常有用的在这种情况下。的性能考虑,持续时间、距组合,更必须包括一个像样的曲目准备。必须包括以下。首先,必须包括组成的持续时间。
申请文书：曲目列表准备
这是通常被认为是在8点困难的背景下评估(Kallestad,2006)。的音高范围组合是第二点用于性能考虑和评估(墨菲,2013)。这第二点被认为是包容性的标准和最高的。在性能方面考虑,另一个需要考虑的方面是具有挑战性的方面。现在构建专业的曲目时,它是非常重要的,一个是精通挑战方面(Etheridge,2008)。这说话的人是利用曲目列表。的兴趣点应该非常清楚这一点。在准备一个剧目对性能,更多的考虑也要完成。首先,关键是理解的分数公布,基于作者的性能,以及更多。每个范围将有一个低的分数或注意,作文分数最高或注意。这里是典型的考虑。
申请文书：曲目列表准备
For every person in the musical career, it is quintessential for them to prepare the proper repertoire for their future. The repertoire functions as the skills matrix for the individual and the people or organization viewing the repertoire would be able to immediately gauge what musical compositions and skills the musician has. Many form of repertoires have been built in the past from annotated bibliographies to repertoire lists to suit a single play (Cottrell, 2012). Now the repertoire list preparation is by itself a significant task for a saxophone player. This literature review has been developed to understand the form of repertoires that have been built and displayed in existing research studies and the repertoire list that could be used as references to build my own repertoire list. The form of musical selection, composition and more would be very useful in this context. In the performance considerations for the repertoire, duration, pitch of composition, and more must be included for a decent repertoire preparation. The following must be included. Firstly, the duration of composition must be included.
申请文书：曲目列表准备
This is usually considered in the context of eight-point difficulty assessments (Kallestad, 2006). The pitch range of composition is the second point to be used for performance considerations and assessment (Murphy, 2013). Now this second point is seen to be inclusive of standards and the altissimo. In terms of performance consideration, yet another aspect to consider is the challenging aspects. Now when building a professional repertoire, it is very critical to show that one is versed in challenging aspects (Etheridge, 2008). This speaks more for the person who is making use of the repertoire list. Points of interest should be presented very clearly at this point. In preparing a repertoire with respect to performance, some more considerations are to be completed as well. Firstly, it is critical to understand the scores of the published, the performance based on authors, the range and more. Each of the range will have a low compositional score or note and the highest composition score or note. It is quintessential to consider both here.