新西兰论文代写：日本电影
这部电影获得的正面评论也可以归因于日本流行的民族主义的兴起。在电影发行前的十年里，在日本的大众媒体中，有人提出质疑，认为太平洋战争（第二次世界大战）的概念是一场侵略战争。
日本学术界也发展了类似的民族主义运动。例如那些由著名历史学家Kanji Nishio日本的保守派历史学家还引入了一个新的历史教科书。而这本书用它忽略了战时暴行日本评论家，这本书声称，这本书使日本年轻人的民族自豪是必要的支持者（masalski，2003）。虽然这本书不是由日本的大部分学校采用，然而强烈的抗议是由中国政府和韩国政府推出的同时，这些国家的公民也走上街头展示他们的抗日热潮。对于日本的许多人来说，基金似乎永远是恶棍的亚洲。因此，在日本大量的观众认为电影，最后的武士提醒的事实是，不是所有的人在外面的日本认为他们的过去在一个负面的光。
同时，日本有许多人因为害怕他们可能与有组织的犯罪或歹徒有关系而被认定为民族主义者。然而，最后的武士的观众能够表达他们的民族主义情绪，因为这是一部外国电影，被认定为好莱坞生产的原因。
同样，在日本的一批人，右翼民族主义与极端民族主义的右翼相关（有黑社会的联系）与高音的爱国音乐以恐吓其他人写的大卡车。然而，这部电影能够表达民族主义情绪，从而使日本人民感到民族自豪感的一致性。同样的，在处理为什么日本人热衷于通过好莱坞电影描绘他们的价值观的问题。在这方面，可以说，由于过度国际化的过程中，日本身份的界限越来越模糊。
新西兰论文代写：日本电影
The positive reviews that were received by this movie can also be attributed to the rise in popular nationalism in Japan. IN the decade before the release of the movie, there were voices raised in the popular media in Japan that questioned the notion of Pacific war of Japan (World War II) as being a war of aggression.
A similar nationalistic movement was also developing among the Japanese academia. For example the conservative historians of Japan who were led by the renowned historian Kanji Nishio had introduced a new history textbook. While the critics of this book used that it had ignored the wartime atrocities committed by Japan, the supporters of this book claims that this book was necessary for making the young Japanese people proud of their nation (Masalski, 2003). Although this book was not adopted by most of the schools in Japan, however strong protests were launched by the governments of China and South Korea and at the same time, the citizens of these countries also took to streets to demonstrate their anti-Japanese frenzy. For many persons in Japan, it appeared that the fund will always remain the villain of Asia. As a result, a large number of audiences in Japan considered the movie, The Last Samurai as a reminder of the fact that not all the people outside Japan considered their past in a negative light.
At the same time, there were many persons in Japan who felt certain ambivalence towards being identified as a nationalist due to the fear that they may be associated with organized crime or gangsters. However the viewers of the Last Samurai were able to express their nationalistic sentiments due to the reason that it was a foreign film that had been identified as a Hollywood production.
Similarly for a number of persons in Japan, the right-wing nationalism is related with uyoku for the ultranationalist (who has underworld connections) writing large trucks with blaring patriotic music with a view to intimidate other people. However, this movie was capable of expressing nationalistic sentiments that resulted in a conforming the sense of national pride in some Japanese people. Similarly while dealing with the question that why the Japanese people eagerly adopted the portrayal of their values by a Hollywood movie. In this regard, it can be stated that as a result of the process of over-internationalization, the boundaries of Japanese identity have increasingly being blurred.