07/03/2019

英文论文代写:格式塔法则

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英文论文代写:格式塔法则

格式塔理论详细讨论了如何看待和感知表征的整体。Wertheimer, Koffka和Kohler是这个理论的支持者。在格式塔理论中,感知一个对象时要考虑到接近性、相似性、共同信念、连续性、封闭性、面积和对称性。这六个因素是最初考虑的对象分析(贝伦斯,1998)。然而,还有6个因素,如pragnanz、同构对应、简单性、封闭性、平衡性和统一性。格式塔法则现在被用作常见的设计法则(Ikehara, 1999)。将这些因素应用到公式中,就可以计算出表示的完整主题。通过使用格式塔法则,澳大利亚旅游符号被发现是对澳大利亚太阳和该地区常见袋鼠的生动描绘。澳大利亚旅游局使用的标识如下图所示。

英文论文代写:格式塔法则
对标志进行了不同的学术理论和批判分析。在分析一个标志的时候,必须注意点的形式、线、颜色、形状、形式、文本模式、位置、美学、色彩味觉、对比、重复和接近设计。澳大利亚旅游标志体现了澳大利亚剪影造型的精髓。剪影造型象征着一个形象的整体本质。它以线性视角显示图像。这个logo有一个触觉纹理图案(Liao & Chen, 2014)。触觉纹理归属于产品或元素。在这幅图中可以看到不对称的设计。在对袋鼠和太阳的描绘上有明显的对比。没有重复的图像。然而,在这个标志中,有一种温暖感的重复(廖和陈,2014)。用于此徽标的像素在72 dpi到300 dpi之间变化。通常使用图像的高分辨率表示。

英文论文代写:格式塔法则

Gestalt theory discusses in detail about how to look and perceive about the representation as a whole. Wertheimer, Koffka, and Kohler were the proponents of this theory. Proximity, similarity, common faith, continuation, closure, area and symmetry are factored in while perceiving an object in Gestalt theory. These six factors were considered initially for the analysis of an object (Behrens, 1998). Nevertheless, 6 more factors such as pragnanz, isomorphic correspondence, simplicity, closure, balance and unity are now considered. Gestalt laws are now used as common design laws (Ikehara, 1999). Applying these factors as a formula, the wholesome theme of a representation can be calculated. From using gestalt laws, the tourism Australia symbol is found to be a vivacious depiction of Australian sun and commonly found kangaroos in the region.Tourism Australia is found to use the logo that has been depicted below.

英文论文代写:格式塔法则
Different academic theories and critical analysis have been conducted for the logo. When analysing about a logo, it is imperative to look into the point form, line, colours, shapes, form, textual patterns, placement, aesthetics, colour palate, contrast, repetition, and proximity of a design. Tourism Australia logo showcases the silhouette styling of the essence of Australia. Silhouette styling symbolizes the overall essence of an image. It shows the image in a linear perspective. There is a tactile texture pattern that is observed in this logo (Liao & Chen, 2014). Tactile texture ascribes about the product or elements. Asymmetrical design is seen in this picture. There is a visible contrast in the depiction of the kangaroo and the sun. There is no repetition of the images. Nevertheless, there is a repetition of the warmth felt in this logo (Liao & Chen, 2014). Pixels that are used for this logo are found to vary between 72 dpi to 300 dpi. Typically, high-resolution representation of the image is used.

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