英语论文代写：电影制作的表达手法
这部电影是一个真实的屏幕角色的电影，喀山是一个真正的艺术家，当涉及到方向，组装电影围绕这些有能力的独白，并仔细地允许文字做了大部分工作。事实上,这部电影花了36天左右才能完成,这是在贫民窟霍博肯的位置拍摄,新泽西,那里的船只,贫民窟居民,古代啤酒酒吧,散落的街道和小巷,滨水区,屋顶等。一些电影中的演员担任保镖托尼Galento等专业重量级拳击手在卡车和安倍西蒙在巴尼的角色。作为一部低成本的电影，它引发了当时美国社会普遍存在的严重问题，受到了大多数影评人的好评。
英语论文代写：电影制作的表达手法
说到鲍里斯·考夫曼(Boris Kaufman)编撰的这部电影的电影摄影部分，在一些场景中可以说是完美的混合，而有些场景在那段时间里却缺乏X元素。码头场景的鸟瞰图被完美地运用，描绘了被阴影覆盖的码头和孤独的街道，一些工人在码头做着无聊的例行工作。在滨线场景中，宽屏拍摄的效果最为显著。特里承认他是伊迪兄弟的杀手，扩大了现场的热情。在这个场景的背景中，有一些水边，这是很好的支持，神秘的哨声船放大效果对观众。
英语论文代写：电影制作的表达手法
This movie is a genuine on-screen character’s motion picture, and Kazan is a genuine artist when it comes direction, assembling the film around these capable monologs and carefully permitting the words to do a great part of the work. In fact, the film took around 36 days to complete, and it was shot in slum locations of Hoboken, New Jersey where there was the presence of ships, slum dwellers, ancient looking beer bars, littered streets and alleys, waterfronts, rooftops, etc. Some of the actors who worked as bodyguards in the film were professional heavyweight boxers such as Tony Galento in the role of Truck and Abe Simon in the role of Barney. Being a low budget film, it provoked the severe issues being prevailing in the American society at that time and hence it was hailed by most of the critic reviews.
英语论文代写：电影制作的表达手法
Coming to the part of cinematographic part of the movie compiled by Boris Kaufman, it can be said a mixed package of absolute perfection in some scenes while some lacked that X factor during that time. The bird eye angle for dock scenes were perfectly used that depicted the docks covered with shadows and lonely streets with some workers doing their boring and routine works at the docks. The effect of shooting wide screen shots was most significant in the shoreline scene. Where Terry admits that he is in fact the killer of Edie’s sibling, expanding the enthusiastic capability of the scene. In the background of this scene, there were waterfronts and it was well supported by the mysterious whistling sound of ship amplifying the effect on the viewer.